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Christopher PaoliniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In basic terms, Brisingr is defined as “fire” in the ancient language. Readers may recognize that this word was the first spell ever to be uttered by Eragon. Brom taught him how to harness the natural power of spellcasting through this word. In Brisingr, after recognizing that author Christopher Paolini has chosen to use this word as the title for his third novel in the Inheritance series, the first instance where the word appears is when Eragon, Saphira, and Roran are attempting to find an entrance into Helgrind. By invoking a modification on the spell, Eragon produces a red werelight which they are able to use as a guide and defense mechanism on the mountain.
Eragon goes on to use the ancient spell several more times within the first chapters to demonstrate its usefulness both as a weapon and as a guide for the travelling party. The second time Eragon invokes Brisingr, using the spell produces a fireball that is capable of distracting the Ra’zac and Lethrblaka in combat in Helgrind. He goes on to use the spell a third time in order to create a light so that he and Roran can find Katrina in her cell. Paolini has chosen to load these first chapters with the title word in order to showcase its multiple functions within the text as a spell. By revisiting a simple spell from Eragon’s past, Paolini is also tying the current narrative to its previous volumes.
By reminding the reader of the origin of the term, Paolini is setting up the possibility that a simple word or spell can be used in multiple ways. Brisingr by itself invokes fire, but the term Brisingr raudhr produces a red werelight. In this way, the reader gains a level of perspective into the world of spellcasting for Alagaësians. This is a technique utilized by many authors to show progress within a character’s development, in this case Eragon is growing in his power as a capable spellcaster and as the final Rider. It is a tangible way of showing growth through knowledge.
Of course, the reader anticipates that this early invocation of the term and its broad definition will lead to more uses within the text further on. After Eragon visits Rhunon and she crafts a blade for him, he is tasked with the job of naming this sword. Ultimately he decides to call it Brisingr because of the memory it invokes of the time with his first mentor Brom. At this point in the narrative, Eragon has recently been told that Brom was his father and is feeling peculiarly nostalgic. He decides to honor the memory of his father by naming his sword Brisingr; when he speaks its name for the first time, to his shock flames erupt from the blade itself. Rhunon is equally surprised but speculates this could be because Eragon sang some of his magic into the sword during its making. Eragon goes on to use his flaming sword in the siege of Feinster by invoking its name before slashing through an iron gate, allowing the Varden into the central keep and thus to victory. While this is the extent of its practical use in this volume, the reader assumes it will be a key tool toward the defeat of Murtagh and Thorn and ultimately Galbatorix in the final fourth volume of the Inheritance series.
Throughout Brisingr, Eragon displays a focused curiosity toward other characters’ definitions of religion and spirituality. Whether he is on his own, contemplating the energy stored in plants and animals, or in conversation with a distraught dwarf about her mourning rituals, Eragon manages to address his own agenda as an atheist in a world dominated by religious and spiritual believers. Within these situations, the word “spirit” is invoked in many different contexts.
While prior to the events that take place in Brisingr, Eragon fought and destroyed a Shade, whose consciousness had been overtaken by a hoard of evil spirits. He is confronted while camping with Arya on their way back to the Varden by an entirely different type of spirit. These spirits, expressed as small glowing orbs that come together to create a blinding light, descend upon the couple. While initially frightened, Arya reassures Eragon that these spirits are not to be feared and in fact are an entirely different race altogether. They have nothing to do with dead humans and operate a lot more like fairies would, giving the pair blessings and gems and then leaving them.
Later in the text, Eragon finds himself preoccupied by the reality of the gods. In particular, a visual display from Guntera, a dwarfish god, during his foster brother Orik’s coronation, leads Eragon to question the reality of what he saw. Orik explains that whether the apparition was truly an effect of the god himself or a magical display, it is surely the closest Eragon will get to being in the presence of a god while still alive. In Du Weldenvarden Eragon communicates with the ancient spirit of the Menoa tree, who is called Linnea. Eragon has no trouble accepting the reality of Linnea, perhaps because he is able to speak directly to her and receive a response. It is clear that however slowly it moves she has a conscience. Eragon’s definition of a spirit and concept of spirituality expands across his travels through Alagaësia.
By Christopher Paolini